In 2010 i graduated at the university of Salerno with a thesis whose title was “Dogme 95: The obstructed cinema”.
The work traces the line on this cinematic vanguard mostly unknowned and forgotten (especcially in Italy) but is not a celebration of this movement, it is a critic argumentation about how production methods can influence the story. Dogma 95. Il cinema ostruito
It is written in italian but if someone would ask me something, please do it